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My friend Ben
White-eared Opossum
Digital Art - Image-editing
Paint Effect
Texture - Collage
Double Exposure
Software: Windows Paint 3D; Pixlr; PicsArt Photo Studio
Edits made to my original photos.
Edições feitas em minhas fotos originais.
Gamba-de-orelha-branca
Didelphis albiventris
Lund, 1840
White-eared Opossum ( Nome em inglês)
Free Animal - Wild Animal
Brasília, Brasil
New! Challenge 211.0 ~ Winter Treatment ~ The Award Tree ~
www.flickr.com/groups/awardtree/discuss/72157721915740069/
Entry 62
Art Week Gallery Theme ~ Winter Mood ~
15 jan - 22 jan 2022
Luogo unico ed antichissimo, Matera, con i suoi Sassi, offre uno tra gli spettacoli più affascinanti al mondo.
Mi sono smarrito in queste vie tortuose e roventi sotto il sole dell’estate.
Ogni tanto il mio sguardo vagava sui tetti fino a posarsi sul cielo azzurro, oltre l’orizzonte di pietra.
Unique and very ancient place, Matera, with its Sassi, offers one of the most fascinating show in the world.
I'm lost in these twisted and hot roads under the sun of summer.
Sometimes my gaze wandered over the roofs until laying on the blue sky beyond the stone horizon.
One of Savannah’s most beloved attractions is Forsyth Park. Among the park’s abundant greenery is the dense urban forest of gnarled live oaks draped with Spanish moss. The old Oak trees are as iconic to the city of Savannah as its man-made historic treasures.
Since the early 19th century, Savannah planted out trees in its streets and squares to provide shade in the summer and beauty the year round, earning it the title of “The Forest City.” Today, its arching live oaks, swathed with picturesquely gothic drapes of Spanish moss, are one of the city’s most charming and typical sights.
This photo was edited with Skylum's Luminat AI software.
White-lipped Pecary
Illustration/Art
Digital Art - Image-editing
Effect : HDR, Collor
Texture - Collage
Software: Windows Paint 3D; Pixlr; Snapseed; PicsArt Photo Studio
Edits made to my original photos.
Edições feitas em minhas fotos originais
Animal Silvestre
Observado em
Parque Nacional de Brasília
Água Mineral
Brasília, Brasil
Image created especially for the
Art Week Gallery Theme
17 Sept. to 23 Sept. our theme is:
~~ Animals in Art ~~
Location: Seljandfoss, Iceland
Filter : Nisi V5 pro
f : 10
Iso : 100
3.2s exposure
Processing Software:
Lightroom CC + Photoshop CC
To learn about photography and softwares, to discover photographers famous or not yet, to know about contest and photo events, follow my new page Photographie : Apprendre-Découvrir-Pratiquer
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Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
When I took this photo some years ago I didn't have the skill or processing software to salvage a poor image. Progress since then.
A small drainage canal alongside the river Ruhr. Usually there is lots of duckweed during the warm months.
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
For this image, I used the simulated analog film "Ilford HPS 800" with software DxO FilmPack 6.
Nikon D850 with Nikkor 14-24mm/2.8G: 14mm - ISO800 - 1/250s - f8
Owls - Corujas
Photo Edition - Photo Art
Photo Editing - Play Photo
Double Exposure
Software - Pixlr
Burrowing Owl
Coruja-buraqueira
Art Week Gallery Group - This Week: REPETITION AND RHYTHM
Brasília, Brasil
Monochrome. San Diego Zoo Safari Park.
I'm often asked what software I use to make my imagery. Beside Adobe Photoshop and Lightroom, I use the Topaz Suite of imaging software. You can find information on their products here: www.topazlabs.com?hr=9oeO2
In July-August 1958, I was a participant in a Youth Exchange visit to Rendsburg in Schleswig-Holstein, Germany.
Our group enjoyed a day trip to Hamburg which included: a boat trip around the busy docks and a coach tour to the zoo and airport.
Of these I found the dock visit to be the most impressive and awe inspiring, specially as we came up close to these rows of 'towering giants' moored in the numerous channels.
From the boat we could see bombed 'U-Boat' pens amidst other war-time marine wreckage still awaiting removal.
Our dock visit also included walking through the St. Pauli Elb Tunnel.
MS Munchen IMO 5243607 was a brand new freighter in 1958, having just been built by A.G. Weser of Bremen for the Hamburg-Amerika Linie.
Camera: Braun Paxette 1 (1953), Steinheil Cassar f2.8 45mm lens, Prontor SVS shutter.
Film: Adox KB17
Scanner: Epson V800 with Epson Scanner software.
Facebook : Aegir Photography
500px : 500px.com/photo/159099043/between-the-lanes-by-glenn-crouch
Sunrise long exposure at Bronte beach pool, Sydney.
Nikon D800 & Nikkor 16-35mm, Formatt 10 stop filter. PP in PS CC using Nik Software and luminosity masks.
I was backing up my past astronomy videos to an external drive when I noticed a nice set of images from 2013 with my old telescope and imaging camera worth re-processing with current software. By 2013 Saturn had been dropping in our skies for three successive years before its lowest point in the cycle in 2018 but was still at an acceptable 26 degrees for any steady night for imaging.
This is three RGB sequences combined and derotated to 02:07 UT on the night of 13th April, a nice chilly and slightly misty night in my memory.
Peter
Thank you for commenting and faving my photos :-)
My Website: www.zeitfaenger.at
Creative Commons License: Attribution 3.0 Unported
Fecha: 06-08-2021, de 01h36m a 02h41m U.T.
Lugar: Las Inviernas, Guadalajara
Temperatura: de +13.0ºC
Cámara: Canon EOS7D sin modificar
Óptica: Samyang 8mm f/3.5, a f/5.6
Montura: Trípode fotográfico
Guiado: Sin guiado
Filtros: Ninguno
Exposiciones:
117 imágenes de 30s cada una, a ISO3200
en total, 58min.
Software: Adobe Photoshop CC 2019
Today I missed the sunrise at Ocean Reef Park on Singer Island but I was able to get a nice shot at Ocean Reef Park with these coconut trees. HDR image created in Photomatix Pro and Topaz software.
captainkimo.com/coconut-tree-at-ocean-reef-park-riviera-b...
Kep - Cambodia - 2010
This is not the version I wanted to upload but the new Aperture 3 does suck : I cannot get to upload the definitive version of this photo, much better cropped than this one. It appears on my screen but cannot be sent by mail or uploaded... It just drives me mad. I am very disappointed with this software by Apple.
Acquisition, Calibration- Mike Selby
Post-processing- Warren Keller
Telescope- CDK1000
Mounts- Planewave
Camera- FLI PL16803
Filters: Chroma LRGB 2"
Software: StarKeeper.it Voyager
Location- Obstech, El Sauce, Chile
PixInsight 1.8.9, Photoshop 2022
Object description at www.billionsandbillions.com
The Gecko Nebula, also known as LBN 437, resides within the Lacerta constellation and is juxtaposed with the expansive emission nebula Sh2-126, which intersects it.
On this picture, the right lobe of the Gecko Nebula boasts numerous recently formed bright stars emerging from its molecular cloud.
Within this domain, the youthful star V375 is linked to the Herbig-Haro object HH398.
These phenomena represent luminous areas of nebulosity associated with nascent stars, originating from the collision between the star's ejected gas and nearby clouds of gas and dust.
Typically, images of this nebula are displayed with a 180º rotation, but I prefer this orientation to showcase it's intricate details in a highly magnified close-up view.
It's a result of 28 hours of integration time at f/3.3 (8 hours on LRGB + 20 hours on Ha).
Equipment
Imaging Telescopes Or Lenses
Takahashi Epsilon-160ED
Imaging Cameras
QHYCCD QHY294 Pro M
Mounts
Sky-Watcher EQ6-R Pro ×
Filters
Baader Blue (CMOS-Optimized) 36 mm · Baader Green (CMOS-Optimized) 36 mm · Baader H-alpha 6.5nm (CMOS-Optimized) 36 mm · Baader O-III 6.5nm (CMOS-Optimized) 36 mm · Baader Red (CMOS-Optimized) 36 mm · Baader S-II 6.5nm (CMOS-Optimized) 36 mm · Baader UV/IR CUT Luminance (CMOS Optimized) 36 mm
Accessories
Pegasus Astro FocusCube2 · Pegasus Astro Powerbox Advance Gen2 · QHYCCD QHYCFW3-M-US · TS-Optics Off-axis guider 9mm (TSOAG9G2) ×
Software
Starkeeper Voyager Custom Array
Guiding Cameras
ZWO ASI290MM Mini
Acquisition details
Dates:
July 13, 2023
July 15, 2023
July 18 - 19, 2023
Aug. 5, 2023
Frames:
Baader Blue (CMOS-Optimized) 36 mm: 120×60″(2h)
Baader Green (CMOS-Optimized) 36 mm: 120×60″(2h)
Baader H-alpha 6.5nm (CMOS-Optimized) 36 mm: 600×120″(20h)
Baader Red (CMOS-Optimized) 36 mm: 120×60″(2h)
Baader UV/IR CUT Luminance (CMOS Optimized) 36 mm: 120×60″(2h)
Integration:
28h
Avg. Moon age:
14.86 days
Avg. Moon phase:
21.09%
RA center: 22h31m53s.27
DEC center: +40°49′04″.9
Pixel scale: 2.695 arcsec/pixel
Orientation: 175.574 degrees
Field radius: 1.181 degrees
WCS transformation: thin plate spline
Find images in the same area
Resolution: 2607x1778
File size: 4.4 MB
Locations: AAS Montsec, Àger, Lleida, Spain
Data source: Own remote observatory
Remote source: Non-commercial independent facility
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
A symmetric photo of the head of a Vespula vulgaris (Common wasp, a.k.a. the European wasp).
Magnification: 3x
Stacking:
Studio Work
MJKZZ Xtreme PRO rail
52 Photos
Steps: 90 micron
Stacking software: Zerene Stacker
Affinity by Canva: First Impressions
Credit: Giuseppe Donatiello
I spent half an hour learning/evaluating Affinity by Canva.
It's not an intuitive software, especially for those who aren't very experienced with editing, but it quickly makes you realize it's not one of those toy apps. Affinity is powerful, however, and includes a wealth of editing and graphics tools on par with more well-known and very expensive software.
It's not a product for astrophotography, so its value can be best demonstrated by its performance on non-ordinary images.
I limited myself to the Pixel section, i.e., photo editing, and after some testing, I ventured into processing a raw TIFF image of M42 (box 1), a subject rich in nuances, tones, and a myriad of details.
Even with the basic settings (box 2), the result is very satisfying. However, it's by exploring the advanced tools that I discover extremely useful applications for astrophotography, such as generating false-color images (box 3) and applying powerful and incredibly simple deconvolutional algorithms.
The use of deep learning in many tools is all too evident, and it's important/recommended not to get too carried away. The experienced user will know how much to use and, above all, when to stop to avoid entering the minefield of overprocessing, which is unfortunately widespread, where artifacts are considered objective details.
For software that has become free, can you expect more?
M42 taken with 127EDmm f/9